Compositions

Guillermo Gregorio Compositions

Selected works

Kromos # 1 (1985) for five instruments

Kromos #2 (1985) for alto saxophone, tenor saxophone, violin, piano, and contrabass

La Nube (1985) for alto saxophone, tenor saxophone, violin, piano, and contrabass

The Other Notes (1990) for trumpet, alto saxophone, bass clarinet, piano, and contrabass

Composition with Grey and Blue (1995) for clarinet and piano

No. 12 (1995) for acoustic guitar and four instruments

Reciprocity (1996) for alto saxophone, bass clarinet, vibraphone, guitar, and contrabass

Impetus (1996) for contrabass and four instruments

Moholy 1 (1996) for bass clarinet, vibraphone, guitar, and contrabass

First Sketch for Omaggio a Luigi Nono (1997) for clarinet, vibraphone, and violoncello

Tres (Dedicated to Carmelo Arden Quin) (1997) for alto saxophone, vibraphone, and violoncello

Con Trabajo (Commissioned by and dedicated to Michael Cameron) (1997) for solo contrabass

Degrees of Iconicity (1998) for alto saxophone, vibraphone, and violoncello

Moholy 2 (1998) for vibraphone, marimba, violoncello, and two contrabasses

Construction in Three Parts (1998) for marimba, violoncello, and two contrabasses

Moholy 3 (1998) (Dedicated to Jim O’Rourke) for acoustic guitar

Counter-composition (1998) for alto saxophone, vibraphone, violoncello, two contrabasses, and pre-recorded concrete music

Fifteen Variations for Clarinet (Commissioned by and dedicated to François Houle) (1998) for solo clarinet (Based on the geometric relations of “Fifteen variations on a single theme” by Max Bill, 1935-38)

Construction in Nine Fields (1998) for clarinet, vibraphone, and violoncello

Konkretion 1 (1998) for clarinet, vibraphone, and violoncello

Madipiece 1 (1998) for any number of instruments

Madipiece 2 (1998) for clarinet, vibraphone, and electric guitar

What is Madi? (1999) for percussion

Three Systems for Violoncello (dedicated to Fred Lonberg-Holm) (2000) for solo violoncello

Rodchenko Suite (2000) for oboe, English horn, trombone, three strings, percussion, and contrabass

Construction with Three Groups (2000) for electric guitar and percussion

Madipiece 3 (2000) for clarinet, vibraphone, and violoncello

Systems and Variations (Dedicated to Jim Baker) (2000) for solo piano

Construction1 (1969-rev 2000) for three carpenters

Coplanar 1+2 (2001) for oboe, clarinet, viola, violoncello, contrabass, and live electronics or percussion

Coplanar 3 (Dedicated to Steffen Schleiermacher) (2001) for three strings and piano

Coplanar 4 (2002) for oboe, clarinet, tuba, and violoncello

White Coplanar (2002) for clarinet, viola, and cracklebox

Swiss Coplanar (On a poem by Hans Arp) (2002) for voice, tuba, and piano

Construction with Coplanar (2002) for oboe, clarinet/alto saxophone, tuba, accordion, and violoncello

Coplanar 5 (Dedicated to Ken Vandermark) (2002) for three clarinets, three strings, and piano

Otra Música (2004) for clarinet, percussion, piano, violoncello, and reciter (on texts by Tomás Maldonado, Nicolas Rosa, and León Ferrari)

Otra Música 2 (2004) for clarinet, bass clarinet, trumpet, tuba, percussion and contrabass

Otra Música 3 (2004) for saxophone quartet

Otra Música 4 (2004) for flute, clarinet, percussion, piano, contrabass, and live electronics

Otra Música 5 (2004) for clarinet, trumpet, percussion, piano, and live electronics

Otra Música 5 (2004) for saxophone quartet and pre-recorded electronics

Vacationing Violins (2004) for three strings groups, group of visual artists playing painted broken violins, and twelve CD players

Slipped Structures (2005-2006) for clarinet, vibraphone, and violoncello

Alsina 1743 + Canaro Erratum (to Marcel Duchamp and Francisco Canaro) (2007) for clarinet, vibraphone, piano, and violoncello

The Digital Clamor of the Masses (2008) for clarinet, four live electronics, and film

Construction in Four Parts (+ Three Interpolative Spaces) (Commissioned by and dedicated to the Makrokosmos Quartet) (2009) for two pianos and two percussionists

Otra Música 9 (2011) for clarinet, trombone, piano, and viola

Otra Música 12 (Apuntes para la pos-historia) (2012) for voice, flute, guitar, and violin (on words and concepts taken from texts by León Rozitchner)

Otra Música 2b (Apuntes para la pos-historia, part 2) (2013) for voice, flute, clarinet, tuba, piano, and contrabass (on words and concepts taken from texts by León Rozitchner)

Otra Música 2c (“Constellation”) (2013) for clarinet, tuba, two violoncellos, and live electronics

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